"Minimalist gestures were bounced around the group in a well-balanced fashion - requiring a very coherent single consciousness from the players - and the muted second movement revealed some beautiful and delicate lines."

Andrew Thompson, Winnipeg Free Press

"... the strongest piece I've heard to date from this composer, from the great percolating dance of the opening movement to the frozen meringue of the second and the propulsive closer."

Robert Everett-Green, The Globe and Mail